For the longest time, we’ve had a seemingly clear dividing line between shots straight out of the camera (colloquially referred to as SOOC) and examples of "fauxtography" where the shooter has indulged in applying some after effects like filters, vignettes, recoloration, or masking and inserting objects in the frame. Phones are now stampeding over that line.

For the longest time, we’ve had a seemingly clear dividing line between shots straight out of the camera (colloquially referred to as SOOC) and examples of "fauxtography" where the shooter has indulged in applying some after effects like filters, vignettes, recoloration, or masking and inserting objects in the frame. Phones are now stampeding over that line.