New York Times, 2017: "The price was astounding, even more so because some experts criticized a Christie’s marketing campaign that glossed over the painting’s flaws.
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(2017)
- Hyperallergic (2018)
- Spotify (2021)
(2018)
- Colleen Dilenschneider (2015)
- Slate Magazine (2018)
- Digital Trends (2015)
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